I explore visual concepts and perception, enjoying work that freely blends the boundaries between 2D and 3D dimensions through graphics. I fuse and reconstruct the boundaries of fields like ‘Graphic Design’, ‘Motion Design’, and ‘Infographics’ using diverse layers, creating immersive visual outcomes open to new interpretations.

I enjoy flexibly employing diverse proportions to construct square frames. To me, the square transcends a simple modular unit; it is a vertex within a larger visual grid where images interconnect. This approach, where one frame's boundary implies the next, suggests a narrative structure composed of surfaces, layers, and transitions.

My work originates from questions about how visual content is perceived, distributed, and consumed today.
I often ask: What makes an image feel ‘new’?
How long does that sense of novelty last?
How is an image's ‘value’ created within a saturated culture?
These questions deeply influence attempts to visualize transience, spectacle, and the lifespan of graphic aesthetics.

Lately, I have been exploring ways to expand contemporary graphic concepts by incorporating textures from existing graphic design, new media, and interactive technologies into visual elements. I am deeply interested in how these intersections can extend the possibilities and meanings of graphic images, opening new possibilities for visual experiences that transcend fixed interpretations.

Assemblygrid began through research and experimentation with digital graphics and image aesthetics.

Since 2023, I developed an interest in current digital image production methods and their aesthetic tendencies. Based on this interest, I began exploring possibilities for new visual languages that extend beyond conventional approaches through various experimental graphic projects. This process highlighted two key areas of focus: exploring alternative applications of widely-used graphic technologies and investigating new aesthetic possibilities in graphic design.

Recognizing the limitations of existing social media platforms' linear structures, I felt the need for a space that allows for expanded discourse and multi-layered approaches to graphics. This led to the development of an independent research platform that integrates digital image aesthetics, design theory, and contemporary visual culture studies.

This website functions as a platform for archiving this journey and sharing practices on extended graphic image-making methods.