I create visual content that explores ambiguity, spatiality, and perception through graphic languages.

Much of my interest lies in questioning the stereotypical roles of images, and slightly bending the visual expectations we hold. People often describe my work as "abstract"—a term I don’t strictly define, but rather use as an entry point into the unstable, hard-to-describe spaces where image, concept, and perception overlap.

I enjoy constructing and decorating square frames, moving fluidly between different proportions. To me, the square is a modular unit—a vertex in a larger grid where images are interconnected. The boundary of one frame hints at another, and this suggests a narrative structure made of surfaces, layers, and transitions.

I am particularly curious about how visual content is perceived, circulated, and consumed today. I often ask:

What kind of images feel “new”?
How long does that sense of novelty last?
How is “value” created around images in a culture of saturation?

These questions inform my attempts to visualize ephemerality, spectacle, and the lifespan of graphic aesthetics.

Lately, I've been exploring ways to expand and deepen the concept of contemporary graphics by incorporating textures from existing graphic design, new media, and interactive technologies used in visual elements. I'm interested in how these intersections can push the boundaries of what graphic images can be and mean, creating work that resists fixed interpretation while opening up new possibilities for visual experience.

Assemblygrid began through research and experimentation with digital graphics and image aesthetics.

Since 2023, I developed an interest in current digital image production methods and their aesthetic tendencies. Based on this interest, I began exploring possibilities for new visual languages that extend beyond conventional approaches through various experimental graphic projects. This process highlighted two key areas of focus: exploring alternative applications of widely-used graphic technologies and investigating new aesthetic possibilities in graphic design.

Recognizing the limitations of existing social media platforms' linear structures, I felt the need for a space that allows for expanded discourse and multi-layered approaches to graphics. This led to the development of an independent research platform that integrates digital image aesthetics, design theory, and contemporary visual culture studies.

This website functions as a platform for archiving this journey and sharing research on alternative graphic image-making methods.