ART AND REALITY

๐Ÿ“ Content Excerpt

Concrete situations are what we talk about all the time, what we take for granted. We for example say: they sat there and they were fine. Nothing is as easy as identifying concrete situations via persons, mental states and the things of daily life in space and time. At the same time it is absolutely impossible to describe a concrete situation in an exhaustive way. This thing that a situation can be described in a vast number of ways is not an accidental property of situations, but on the contrary it is what characterizes situations. A situation that can be described in only one way is not a situation. When we try to define a situation based on one single description we prevent ourselves from experiencing it.

There is no reason to believe that a request to art that it should continue to find new forms is relevant. The historical consideration that such a request will have to be founded on, requires an impossible comparison of situations. History is concerned with descriptions from specific points of view and is not reality. In the attempt to compare situations, one reduces situations to something that can be fully understood. This is not in compliance with our knowledge of situations. If one attempts to define what art is, one only sees oneโ€™s own description of it, and this description can never be exhaustive.

๐Ÿ“ ๋‚ด์šฉ ๋ฐœ์ทŒ

์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ ๊ตฌ์ฒด์ ์ธ ์ƒํ™ฉ์— ๋Œ€ํ•ด ๋งํ•˜๊ณ , ๊ทธ๊ฒƒ์„ ๋‹น์—ฐํ•˜๊ฒŒ ๋ฐ›์•„๋“ค์ธ๋‹ค. ์˜ˆ๋ฅผ ํ•œ๋ฒˆ ๋“ค์–ด๋ณด์ž. โ€œ๊ทธ๋“ค์ด ์ €๊ธฐ ์•‰์•„ ์žˆ์–ด, ๊ทธ๋“ค์€ ๊ดœ์ฐฎ์•„.โ€ ์ผ์ƒ์˜ ์‹œ๊ณต๊ฐ„์— ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ ๊ทธ๋“ค์˜ ์ƒํƒœ, ์‚ฌ๋ฌผ์„ ํ†ตํ•ด ๊ตฌ์ฒด์ ์ธ ์ƒํ™ฉ์„ ๊ทœ๋ช…ํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ์‰ฌ์šด ์ผ์€ ์—†๋‹ค. ๋™์‹œ์— ํ•˜๋‚˜์˜ ์ƒํ™ฉ์„ ์™„๋ฒฝํ•˜๊ฒŒ ๋ฌ˜์‚ฌํ•˜๋Š” ๊ฒƒ์€ ์ ˆ๋Œ€์ ์œผ๋กœ ๋ถˆ๊ฐ€๋Šฅํ•˜๋‹ค. ๋˜‘๊ฐ™์€ ์ƒํ™ฉ์„ ์—„์ฒญ๋‚˜๊ฒŒ ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์œผ๋กœ ๋ฌ˜์‚ฌํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ์€ ์ƒํ™ฉ์ด ์ง€๋‹Œ ์šฐ์—ฐํ•œ ์†์„ฑ์ด ์•„๋‹ˆ๋ผ ๋ฐ˜๋Œ€๋กœ ์ƒํ™ฉ์„ ํŠน์ง•์ง“๋Š” ์š”์†Œ๋‹ค. ํ•œ ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์œผ๋กœ ์„ค๋ช…๋˜๋Š” ์ƒํ™ฉ์€ ์ƒํ™ฉ์ด ์•„๋‹ˆ๋‹ค. ๋‹จ ํ•˜๋‚˜์˜ ์„ค๋ช…์— ๊ธฐ์ดˆํ•ด์„œ ์ƒํ™ฉ์„ ์ •์˜ํ•˜๋ ค ๋“ค๋ฉด ์šฐ๋ฆฌ๋Š” ๊ทธ ์ƒํ™ฉ์„ ๊ฒฝํ—˜ํ•˜๊ธฐ ํž˜๋“ค๋‹ค.

๋ฏธ์ˆ ์ด ๊ณ„์†ํ•ด์„œ ์ƒˆ๋กœ์šด ์กฐํ˜•์„ ์ฐพ์•„์•ผ ํ•œ๋‹ค๋Š” ์š”๊ตฌ๊ฐ€ ํƒ€๋‹นํ•˜๋‹ค๋Š” ๊ทผ๊ฑฐ๋Š” ์—†๋‹ค. ๊ทธ๋Ÿฌํ•œ ์š”๊ตฌ๊ฐ€ ๋ฐ‘๋ฐ”ํƒ•์„ ์ด๋ฃจ๋Š” ์—ญ์‚ฌ์  ๊ณ ์ฐฐ์€ ์ƒํ™ฉ ๋น„๊ต๋ฅผ ๋ถˆ๊ฐ€๋Šฅํ•˜๊ฒŒ ๋งŒ๋“ ๋‹ค. ์—ญ์‚ฌ๋Š” ํŠน์ •ํ•œ ๊ด€์ ์„ ๊ฐ€์ง„ ์„ค๋ช…๊ณผ ๊ด€๊ณ„๊ฐ€ ์žˆ์ง€ ํ˜„์‹ค์ด ์•„๋‹ˆ๋‹ค. ์—ฌ๋Ÿฌ ์ƒํ™ฉ์„ ๋น„๊ตํ•จ์œผ๋กœ์จ ์šฐ๋ฆฌ๋Š” ํ•˜๋‚˜์˜ ์ƒํ™ฉ์„ ์ข€ ๋” ์ž˜ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋Š” ์šฐ๋ฆฌ๊ฐ€ ๊ฐ€์ง„ ์ƒํ™ฉ์— ๋Œ€ํ•œ ์ง€์‹์— ๊ทผ๊ฑฐํ•œ ๊ฒƒ์ด ์•„๋‹ˆ๋‹ค. ๋ฏธ์ˆ ์ด ๋ฌด์—‡์ธ์ง€ ์ •์˜ํ•˜๋ ค๋Š” ์‚ฌ๋žŒ์€, ์˜ค์ง ๊ทธ ์ž์‹ ๋งŒ์˜ ์„ค๋ช…์„ ์–ป์„ ์ˆ˜ ์žˆ์„ ๋ฟ์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์„ค๋ช…์€ ๊ฒฐ์ฝ” ์™„์ „ํ•˜์ง€ ์•Š์„ ๊ฒƒ์ด๋‹ค. (ยทยทยท)


ยฉ N55